Shiploader boom spouts: Luma Ray 2 at 720p, 50cr, 5s or 9s

The shiploader spout grades on Luma Ray 2 720p at 50cr for 5s or 9s; boom-pump pages already spent MiniMax H3 reach.

A shiploader clip that books is the spout: the telescoping tube, the dust skirt, the stream into a hatch, light on falling bulk. It is not a talking dock superintendent walking tonnes per hour, and it is not another concrete-pump unfold. Boom pumps already spent MiniMax H3 reach. This leftover is the spout grade. Buy the 720p plate. Do not twin the pump.

The spout grade is the shot

An OEM still that ships is this boom and this spout — the knuckle count you sell, the skirt you actually hang, the hatch geometry a terminal will recognise as a loader, not a pump. Speculars on wet coal, grain dust in a sidelight, the way the stream breaks at the lip: those either survive a pause or they do not. Cheap motion is where they die.

Write camera and iron. “Locked wide, shiploader spout over a hatch, overcast, slow push, dust in the beam, no people.” Stop. “Captain from the quay explaining your rate” is a second job. It is a private-person job if that captain is on payroll. It is a prescription job if the line is a loading log.

Generic physics can be text-to-video. You are buying a few seconds of how bulk leaves a spout. You are not matching a photographed serial on this boom unless you locked a still first — and Ray 2 720p is not that still job. Identity of this loader is a photo you attach on an image-to-video row. Ray’s published job here is the 720p grade plate. Name which contract you are on before you spend.

Keep people out of the generate unless you photographed them on that quay. A generated crew on a hatch is a likeness problem. Empty spout, or a real shift with permission.

Ray 2 720p: 5s or 9s, 50 credits, silent

Luma Ray 2 720p is Luma Ray 2 video generation in 720p quality. Text-to-video. 5s or 9s. 720p. 50 credits. Audio empty. No image required on this row. Empty audio is the product. A musical in the prompt will not yield a bed. A presenter in the prompt will not yield a mouth. Quoted tonnes in the prompt do not become a soundtrack.

Fifty credits is the unit. Nine seconds is not four free seconds on top of five. One prompt, one length. Iterate at 5s until the stream reads. Commit 9s when a slow pan down the boom to the hatch actually needs the hold. Do not buy 9s hoping extra time invents a better skirt.

Max output is 720p. Listed quality is 720p. There is no 1080p switch on this slug. Aspects run 1:1, 3:4, 4:3, 9:16, 16:9, 9:21, 21:9. Pick the shape the platform actually serves. A 21:9 “cinematic” take you later crop to 9:16 throws away the only sharpness you bought.

Generate a video from text is the named agent job: you describe the scene; the agent asks duration, aspect, and resolution, then picks a catalog row — or the one you name. Cost is priced per model, shown before you confirm. Name Ray 2 720p. Do not let the agent wander into a talking cinematic row because the prompt said “dock.” The AI video generator is the same door without the chat. Either way, the row is the product.

If the still of this loader already exists, photograph the unit and move that file on an image-to-video row. Ray’s 50-credit T2V spend is for the grade when the plate is not yet a serialised install. Overlay class, commodity, or CTA after lock. Generated type on the lattice is a miss.

MiniMax H3 already spent the boom-pump reach

MiniMax H3 Text to Video is a frontier row: 2K from a text prompt alone, durations 5s through 15s, 26 credits, six aspect ratios. Catalog audio is empty. That is the row the boom-pump leftover already used for lattice unfold over a slab.

Do not twin it. A concrete boom is sections unfolding over a pour. A shiploader is a spout over a hatch, a trim, a dust skirt, bulk in free fall. Copying the pump brief onto this iron — “five-section boom unfolding,” outriggers, a deck — is how a terminal listing ships a pump ad they cannot fulfil. The pump page owns H3 reach. This page owns Ray’s 720p grade.

H3 will invent a generic boom. Allowed on the pump page when the ad is “we pump.” Not allowed here because 26 credits is cheaper than 50. 2K of the wrong machine is still the wrong machine. This job is the spout’s light and the stream. Overlay the rate you already stand behind, or leave it off. Empty spout. Keep lips out of frame.

Upscale is not a 4K original

Upscale a video to 4K takes an existing clip and a model and returns a higher-resolution version. It enhances what is there. It does not invent picture the generator never recorded. A 720p Ray take upscaled for a booth wall is still a 720p original with sharpened edges. Compression already in the file can get louder. Confirm the upscale model and the cost before you run a long clip; options vary.

Do not treat upscale as a reason to skip Ray, or as a reason to pick a talking 4K row. The grade is the 50-credit 720p plate. Ray does not list native audio. Score after picture lock. If a terminal superintendent would not say “that is a loader,” you made the pump twin. Fifty credits of Ray is the grade. Twenty-six credits of H3 is the other boom.

FAQ

If I describe dock noise, does Ray 2 720p emit a soundtrack?

No. Audio is empty. You get a silent 5- or 9-second 720p file at 50 credits. Lay the bed after picture lock.

Can I reuse the boom-pump H3 brief for a shiploader?

No. Boom pumps already spent MiniMax H3 2K, 5–15s, 26 credits, silent, for lattice reach over a slab. This leftover is the spout grade on Luma Ray 2 720p. Do not twin the pump.

Will upscaling Ray 2 to 4K invent spout detail?

No. Upscale sharpens what the 720p file already holds. It cannot recover a skirt the generate never drew. Grade on Ray first. Upscale the keeper if the screen is large.

Can Ray 2 720p take our photographed loader as the subject?

This slug is text-to-video. A locked install photo belongs on image-to-video. Attach the still. Do not prompt a cousin of a spout you already hung.