AI Testimonials and the Fake Review Rule: What Brands Can No Longer Buy
The FTC's fake review rule for brands using AI: what's banned, the Rytr case and its 2025 reversal, and the line between ad creative and fabricated proof.
Step-by-step guides for making video, images, voiceovers and music with AI — written for people shipping content, not reading theory.
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The FTC's fake review rule for brands using AI: what's banned, the Rytr case and its 2025 reversal, and the line between ad creative and fabricated proof.
A good title sequence compresses a whole piece into a few seconds of type. How to build one from a moving plate and real typography, not a logo spin.
App Store screenshots are a design job with a hard spec: up to 10 slots, three previews, one 1024x1024 icon. Build captioned frames that fit inside it.
Audio description got expensive because it needed a specialist. Most brand videos already have the script, the voice pipeline and the mix step it needs.
A barcode is checksum-encoded data, not a picture of one. Legal copy has a mandated minimum size. Neither belongs to an image model — composite both in.
A 60-90 second micro-drama episode has no room for a three-act structure. Four beats, and every single one has to close a loop and open a new one.
No presenter, no face on camera — just a beat map and a swap that has to survive review. How transition models hide the cut, and what keeps the garment honest.
Some camera directives are real parameters. Others are prose the model approximates and quietly drops. How to tell which is which, and test for it.
A word-perfect caption track can still be unreadable. Transcription gets the words right — pacing, line breaks, and contrast are a separate craft on top.
A guessed font name doesn't error — it just doesn't do what you asked. What each font category does to legibility at caption size on moving footage.
Cliffhangers aren't a writing flourish in a 60-second vertical, they're the mechanism that gets episode two watched. The cut has to land early, not late.
A brand blue that's perfect on every screen comes back muddy from the printer — not a printer error. The color was never reachable in ink to begin with.
'It doesn't look consistent' isn't one problem. It's four — identity, wardrobe, set and lighting — each with a different cause and a different fix.
A Content Credential is two different bindings doing two different jobs. Walk a file through trims, re-encodes and uploads and see which one actually survives.
Continuation prompting explained: hand a model the end of an existing clip plus an instruction for what happens next, and extension becomes direction.
How Gemini Omni Flash's edit loop lets you fix, restyle, and iterate on a clip across turns without breaking continuity, using Versely's Edit endpoint.
An AI cover doesn't compose a new song — it reinterprets a track you supply. That single mechanical fact is why the whole question is source rights.
Why whip pans and crash zooms break text-to-video prompts, what Wan 2.2 docs reveal about how camera motion is learned, and when to switch to motion transfer.
Post every Tuesday has to become five specific fields somewhere. The cron syntax, four everyday translations, and two prerequisites that fail silently.
Twilight conversion used to be a paid add-on and a slow Photoshop job. What changes when it's a plain-language instruction, and what disclosure it now needs.
Restarting a stalled multi-scene render throws away every completed scene. The real state machine, the stuck threshold, and what resume actually resets.
A per-platform checklist for posts that need three disclosures at once: FTC material connection, platform paid-partnership toggles, and AI-generated labels.
The most common audio flaw in AI-assembled video is a music bed that won't get out of the way. What actually fixes it, and the stems escape hatch.
Changing a price or date inside a finished graphic is an edit job, not a generation job — and mixing the two up is why files get rebuilt from scratch.