Publishing and performance

    B-roll

    Also called Cutaways, Supporting footage.

    B-roll is the supporting footage cut over narration or an interview — everything on screen that is not the person doing the talking.

    It does three jobs at once and they are worth separating. It illustrates, so the claim being made has something to be true about. It hides edits, because a cut in the audio is invisible under a cutaway. And it controls pace, since the rhythm of a talking-head video is set almost entirely by how often the picture changes.

    Generated b-roll changed which of those jobs is expensive. Stock libraries are fast for generic shots and hopeless for specific ones — the exact product, the exact process, the shot that only makes sense next to your particular sentence. Generating per line of script inverts that: the specific shot becomes the cheap one, and the risk moves to consistency between shots rather than availability of them.

    The brief is narrower than it looks. B-roll plays under speech, so it needs no dialogue, no arresting motion and no moment that pulls focus from the line being read. A cutaway that is more interesting than the narration is a mistake dressed as a good shot.

    In practice

    • Brief one cutaway per line of script rather than one long clip per section.
    • Keep b-roll quiet: no native dialogue, no hard cuts inside the clip, motion slower than the speech.
    • Reuse a look across the set — the same palette and lens feel is what makes assorted clips read as one video.

    The mistake to avoid

    Cutting to b-roll to cover a weak script. The picture changing buys a couple of seconds of attention, and then the audience is back to listening to the sentence that was not worth saying.

    Where you will run into it

    Related terms

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