Generation modes

    Background removal

    Also called Cutout, Matting.

    Background removal separates a subject from everything behind it and discards the rest, leaving a cutout you can place on any backdrop.

    What it produces is a matte — a per-pixel record of how much of each pixel belongs to the subject. Edges are rarely all-or-nothing, so a good matte is grey at the boundary, which is what lets hair and motion blur composite without a hard fringe.

    On video the job runs per frame and has to agree with itself across the sequence. A matte that is a pixel wider on frame twelve than on frame eleven reads as a crawling edge, and that is the artefact that gives away a machine cutout more than any single frame ever does.

    It replaces a green screen rather than competing with it. A physical green screen still gives a cleaner key on fine detail, but it needs the shot to have been planned that way; removal works on footage that already exists.

    In practice

    • Hair, glass, smoke and motion blur are the hard cases — everything else is close to solved.
    • Subject-background contrast matters more than resolution: a dark coat on a dark wall is the worst case.
    • Keep the cutout in a format that carries transparency, or the removal is undone on export.

    The mistake to avoid

    Checking the cutout against a white page. Composite it over the actual destination background — fringing that is invisible on white is obvious on dark.

    Where you will run into it

    Related terms

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