Stop Banding After You Grade AI Skies
Generated skies posterize under contrast. Use a 10-bit intermediate, dither, and a stills-plus-motion checklist before you add grain or reroll.
8 min read
Checksummed Transfers for Client Masters
Ship masters with an xxHash manifest and packing list, plus a rule for WeTransfer versus Aspera, Signiant, MASV, or a physical drive.
8 min read
Closed GOP and Keyframes for Editable Masters
Specify closed GOP, a one-second I-frame interval, and a transcode-on-ingest so a human editor can recut generated MP4s without a render farm.
9 min read
Conform Generated Proxies to Online Masters
Relink rules, hashes, Rec.709 tags, and a missing-media protocol for when a regen changes the filename the online expects.
8 min read
False Color Before You Touch the Grade
A 30-second false-color pass that flags clipped highlights and muddy faces before any LUT, with the IRE bands to watch on generated skin and chrome.
9 min read
Add Grain in Finishing, Not in the Prompt
Prompted grain is baked and fights the compressor. A post stack for size, amount, and chroma you can turn down per platform, after legalizer and loudness.
9 min read
Keep Finishing Audio at 48 kHz
Resample every 44.1 kHz generate on ingest, use a real anti-alias filter, and keep the project at 48 kHz / 24-bit so export does not click.
9 min read
Grade Generated Footage on Rec.709 Scopes
Generated clips arrive display-referred. Read Rec.709 waveform, RGB parade and vectorscope, then grade exposure, balance, sat, look.
9 min read
Grade HDR Once, Keep the SDR Downmap
Grade Rec.2020 PQ or HLG once, roll off highlights, and QC two stills of the same frame so the SDR YouTube downmap does not crush the HDR master.
9 min read
Match Grain, Sharpness, and Blacks at Cuts
Park on the splice and match black point, grain size, sharpening, and cadence so a generated insert stops announcing itself next to live action.
8 min read
IMF Packages for Streamer Delivery
Netflix still wants an IMF package, not an MP4. Walk the CPL, PKL, markers, and supplemental versioning, and what a small studio can build without an IMF house.
8 min read
Loudness targets are not one LUFS number
EBU R 128 is -23.0 LUFS. Netflix near-field is -27 LKFS, dialog-gated. Apple Podcasts is about -16 LKFS. YouTube publishes no integrated LUFS target at all.
9 min read
Pick a Mezzanine Codec You Can Reopen
Platform MP4s are not masters. Compare ProRes 422 HQ, DNxHR HQX, and FFV1 for 10-bit 4:2:2, alpha, audio tracks, and a file you can still open in five years.
9 min read
Stereo Fold-Down That Keeps Dialogue
Fold 5.1 and Atmos beds with centre-channel priority, discard the LFE, and check the result on a phone speaker so the words still survive.
9 min read
True-Peak Limiters for AAC Delivery
Catch inter-sample peaks with a true-peak limiter at −1.0 dBTP before AAC, because a brickwall at 0 dBFS still fails QC after the encode.
9 min read
24fps clips on a 25fps timeline
Video models render at 24fps and Versely timelines default to 25. The three ways to conform, the arithmetic behind each, and the one that wrecks lip sync.
9 min read
Blur garbled signage into depth of field
Background text a model got wrong is not repairable, but it is not necessary either. A soft-focus pass that reads as optics, and where it stops working.
9 min read
Converting a recorded take to another voice
An intake check, an input-prep chain and a three-way decision for when voice conversion beats re-recording or generating the line from text.
9 min read
Cross-dissolves that hide drift at the seam
A short dissolve at the join is the standard fix for exposure and identity drift between chained clips. Dissolve lengths, and when a hard cut still wins.
9 min read
Grain, flare and vignette against the AI sheen
Generated footage reads wrong because imperfection is absent, not detail. A finishing order for grain, vignette and flare, and the amounts that hold up.
9 min read
Lip sync breaks on fast speech and plosives
Rapid consonants expose a 1–3 frame lag slower speech hides. Target a 120ms window, nudge the clip, and rewrite lines that keep tripping it.
9 min read
Lip sync drifts across the clip
Most lip-sync drift is an export fault, not a model fault. Re-export at native frame rate, skip optimized rendering, and feed uncompressed audio.
8 min read
Match cuts between two generated clips
A match cut hides the join between two generations by carrying a shape or a motion across it. How to plan the pair in the prompt and which frames to trim.
9 min read
Matching generated footage to real camera footage
Mixed edits break on grain, grade, focal length and motion blur. The order to fix them in, and the one thing you cannot repair in post.
9 min read
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