Cut jump cuts out of a generate
If a hand teleports, regenerate that beat. Do not cover an artefact jump with a caption.
If a hand teleports, regenerate that beat. Do not cover an artefact jump with a caption.
When testing hooks, share one face kit across the batch so results are comparable.
A one-page series bible beats vibes: face kit, voice notes, claim rules, and ban list.
Write soft window left or overhead practical in one line and paste it into every episode brief.
First and last frames need matching product scale or the morph looks like a grow ray.
Prompt builder exists so the fifth episode matches the first. Ad-lib prompts are how series drift.
Pick which hand holds the product and keep it. Handedness flips read as a different person.
Seedance 2.5 can take large reference stacks. More files only help when they disagree usefully.
Native audio clips need shared room tone or the cut breathes wrong. Lay a bed under joins.
Limit the series to three approved outfits. Infinite fashion is how identity lock dies.
Extend continues a shot. A new generate resets identity. Use extend when the camera should keep moving on the same plate.
Omni/Seedance multi-shot is cheaper continuity than three separate jobs. It is worse control than three locked stills.
Seedance 2.5 can do ~30s in one pass. Veo still thinks in ~8s with extension. Stitching is a continuity tax.
A one-page short-form bible locks cold open, slot, length band and numbering so episodes stay comparable, and shows what breaks when each field drifts.
Three ways to carry a shot past a model's duration ceiling, compared on look-hold, camera continuity, credit cost, and what a bad segment costs to fix.
Establishing, medium, insert and reverse turn a pile of clips into a place. The coverage set, and how to write four prompts that agree with each other.
Native audio invents a new room on every clip, and the cut exposes it. How to hold ambience constant in prompts, and the matching pass to run at assembly.
Independently generated clips flip screen direction and the cut reads as a jump. How to state the axis in every prompt, and the check to run before assembly.
Position snaps come from independently sampled segments with no shared anchor. First-last-frame conditioning lets motion flow through the join.