Set AD Level Against the Dialogue
AD that ducks the whole mix is unusable; AD under the music is inaudible. Match description to dialogue, keep HI and VI mixes apart, and check on a phone speaker.
Every guide, comparison and workflow we’ve published on Accessibility.
25 articles — page 1 of 2
AD that ducks the whole mix is unusable; AD under the music is inaudible. Match description to dialogue, keep HI and VI mixes apart, and check on a phone speaker.
Looks fine is not a rate. Set a word-error-rate target, count punctuation and speaker misses, and sample a 200-clip library instead of reading every file.
Captions timed only to speech feel late at cuts and cover new faces. Shot-change rules, lead-in/out frames, and a QC pass that never covers a new speaker.
English CPS caps wreck German, Finnish, and CJK. Starting CPS and CPL figures by script, and a QC method for cutting captions without changing what was said.
Generated infographics encode meaning in hue. Add patterns, labels, and shape so a color-blind viewer can read the chart, then check deuteranopia.
Rules for reading supers, prices, and URLs in audio description without hitting the VO, and when a textless-plus-VO cut is the cleaner deliverable.
Beyond the EAA overview: EN 301 549 clauses that actually fail brand video players. A clause-to-control map and a retest after a player redesign.
An HI mix is not louder voiceover. Dialogue-forward EQ, reduced music, and a stem recipe for shipping HI and VI tracks instead of relying on captions alone.
Space, arrows, a captions toggle, and a visible focus ring. Why marketing embeds fail, and a 12-key staging test you can run in ten minutes.
Generated sign is often grammatically wrong. What avatars miss, when they harm trust, and the decision rule: human interpreter or none.
Scrim, stroke, and plate choice so a name super holds on generated bokeh and neon. A three-treatment test you run on a 480p preview before export.
Live auto-captions and offline QC are different products. When live is acceptable, when a recorded library needs offline, and a spot-check method for each.
Ship a still poster, a reduced-motion loop, and a full hero from one brief so prefers-reduced-motion does not mean running three campaigns.
SDH includes speakers and non-speech; CC is a delivery method. A matrix for 608/708 broadcast, WebVTT on the web, and why one file cannot serve both.
US public-sector and vendor sites still owe 508; ADA Title II names WCAG 2.1 AA. What accessible video means in RFPs, plus a gap list for a marketing site.
Model defaults love lightning, glitch, and strobe. Photosensitive thresholds, a pre-publish flash test, and how to dim or recut for web and social.
A tiny interpreter inset is not automatically accessible. Compare overlay versus a signed-led cut, framing, contrast, and when to hire talent.
A style guide for speaker labels, bracketed sound, italics for off-screen speech, and music cues that auto-captions drop and d/Deaf viewers actually need.
Turn a caption dump into a transcript with headings, speaker labels, and optional timestamps so the page is useful even if the video never plays.
Replace whip pans and crash zooms with locked-off or eased moves, ship a reduced-motion cut, and keep the original only when a warning is the honest choice.
Present tense, character IDs, and dialogue-gap timing for audio description, plus a timed script template you can fill for a 30-second spot.
Your audience cannot rely on your audio track. Captioning and split-screen rules, an OTC-versus-fitted explainer structure, and claims to keep off camera.
A word-perfect caption track can still be unreadable. Transcription gets the words right — pacing, line breaks, and contrast are a separate craft on top.
Dubbing every market feels like the premium choice. The coverage math and the accessibility law both say subtitle broadly and dub selectively instead.