Lay B-roll under an AI voice track
Record TTS, generate product I2V, lay it under the voice, then caption. A talking head is optional.
Every guide, comparison and workflow we’ve published on Voiceover.
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Record TTS, generate product I2V, lay it under the voice, then caption. A talking head is optional.
ElevenLabs, Murf, OpenAI TTS, Versely, and Cartesia all voice a 15-second ad. Pick by clone, timeline, API cents, credits, or Sonic punch.
ElevenLabs, Murf, Hume, WellSaid, Versely, and Descript cover weekly VO. Pick by clone, studio, emotion, minutes, or a credit TTS row.
Cartesia, Inworld, Murf, Versely, WellSaid, and OpenAI TTS all read a script. Pick by latency, style, studio timeline, credits, actor voices, or API cents.
Descript, Adobe Enhance, CapCut, ElevenLabs, Versely, Murf, and WellSaid cover voiceover with no booth. Clean a take or generate one.
Faceless UGC is B-roll under a voice. A generated face is still a talking head, not a faceless cut.
Music that fights the voice kills retention. Duck hard under narration and stop romanticizing a hot mix.
TTS is ceil(chars ÷ 1000 × 12) credits; pacing, pauses and emotion change runtime without changing the bill.
A full mix under VO is a fight. Get stems, or generate the bed without a lead, then duck.
AD that ducks the whole mix is unusable; AD under the music is inaudible. Match description to dialogue, keep HI and VI mixes apart, and check on a phone speaker.
TTS and clones hiss in a way live VO does not. A split-band de-esser setup, and when the real fix is a different take or engine rather than more processing.
Pass a speech-to-noise check and a mono phone test before sign-off, and fix masked words with EQ and reverb moves rather than raising the VO.
Resample every 44.1 kHz generate on ingest, use a real anti-alias filter, and keep the project at 48 kHz / 24-bit so export does not click.
Fold 5.1 and Atmos beds with centre-channel priority, discard the LFE, and check the result on a phone speaker so the words still survive.
Present tense, character IDs, and dialogue-gap timing for audio description, plus a timed script template you can fill for a 30-second spot.
Prosody decays as the model loses sentence structure. A chunking strategy, punctuation that restores emphasis, and joins you cannot hear.
A real or licensed cameo plus an original voice track is the cheapest move from template-shaped to authored. The layering order and how to keep it consistent.
Reverb is the most common uninvited guest in native audio. The room words that cause it, the exclusion phrasing that works, and what to do with a good take.
Fast voice models and expressive ones fail in different places. A two-axis method for picking TTS per job, plus the retake maths that settles it.
Rapid consonants expose a 1–3 frame lag slower speech hides. Target a 120ms window, nudge the clip, and rewrite lines that keep tripping it.
Sixteen audio jobs live in Versely's editor. Which one to reach for, and the four-pass order that stops you from doing the same work twice.
Normalization mangles currency, ranges, dates and initialisms before synthesis. A preprocessing pass that writes the script the way it should be spoken.
Four speech providers parse bracketed delivery cues and four take mood as a parameter. The two camps, four incompatible syntaxes, and how to convert a script.
Clone quality is set by the reference recording, not the model. Source-audio requirements and the three defects that guarantee a bad clone.