Directing gaze and micro-expression on a face
Emotion words return a stereotype. Eyeline, blink timing and independent brow movement are directable as physical actions — and here is where prompting stops.
Emotion words return a stereotype. Eyeline, blink timing and independent brow movement are directable as physical actions — and here is where prompting stops.
Establishing, medium, insert and reverse turn a pile of clips into a place. The coverage set, and how to write four prompts that agree with each other.
Weighted mixes of faces a model already knows produce a novel character that reproduces. The syntax, the ratios that stay stable, and how to lock the result.
Reverb is the most common uninvited guest in native audio. The room words that cause it, the exclusion phrasing that works, and what to do with a good take.
Native-audio models place a limited number of sound events per clip. Name two specific, countable sounds and you get both; name six and you get mush.
Low-light prompts come back grey because nothing in frame motivates the exposure. The one-hard-source-plus-one-practical recipe and the post pass order.
A 400-word prompt is not more authorship than a four-word one. An audit of which of your contributions actually carry a copyright claim and which do not.
Named portrait setups encode a lamp position, not a mood. The five worth memorising, the extra clause each one needs, and where the label stops working.
Native audio invents a new room on every clip, and the cut exposes it. How to hold ambience constant in prompts, and the matching pass to run at assembly.
Models default to mid-scale unless something anchors the frame. The lens, camera height and foreground cues that make a subject read enormous.
Some models move the sound when the camera moves, making camera language audible. When that earns the prompt work, and how to check it survives a phone speaker.
A translation table from client language to testable production changes, plus the three questions that resolve a vague note before you spend attempts.