Flux 3 T2V vs Flux 3 extend
Flux 3 T2V is a 34-credit generate with native audio, 5–20s. Flux 3 extend is 82 credits, native audio, 5–20s. 34 starts the clip; 82 continues it.
Every guide, comparison and workflow we’ve published on Flux 3.
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Flux 3 T2V is a 34-credit generate with native audio, 5–20s. Flux 3 extend is 82 credits, native audio, 5–20s. 34 starts the clip; 82 continues it.
Flux 3 first-last is 34 credits for 5–20s with native audio. Veo first-last is 64 credits for 4/6/8s 4K dialogue. Duration vs 4K.
Flux 3 T2V is 34 credits for 5s, up to 136 at 20s, native audio. Black Forest Labs GA on 4 Aug 2026. One row, one job.
Flux 3 extend-video is its own credit row. Do not treat extend as free leftover from the first generate.
Flux 3 first-last interpolates two stills you locked, 5–20s at 9 credits with native audio. Pixverse Transition is 5 / 8 / 10s at 1080p, 40 credits, audio unset — a clip-to-clip morph, not two catalog stills. A pack-shot A/B is first-last; a trailer smash is Transition.
Frame A is the strap hinge hung, frame B is the same opening rolled shut: Flux 3 first-last 5–20s at 9cr; a generated barn invents different hardware than the catalog track.
Same framing, two photos: Flux 3 first-last 5–20s at 9cr; a 30s identity hold invents new lumber, and /for/home-builders is a different audience than this deck still.
Two stills of the same chamber. Flux 3 interpolates fan. generate_sound_effect for the roar. Do not seat a generated body in the column.
Two photos of the same civic dome. Flux 3 interpolates the slit. A T2V night sky invents a different mountain.
Same elevation, dirty then rinsed: Flux 3 first-last interpolates 5–20s at 9cr with native audio; Veo will fake a wash sequence on a house you do not own.
Two stills of the same box. Interpolate. Count is overlay. Trash-bags already spent the seated-liner pair.
Oxidized to wet sheen is Flux 3 first-last at 9cr on two photos of one lot; a 30s hold invents new stalls, and paver-sealing is a different surface.
Flux 3 first-last at 9cr interpolates the operator on the same posts; /for/garage-door-companies is a sectional door, a different product than this swing hardware.
Two photos of the same mat. Interpolate. Thickness is overlay. /for/yoga-studios is membership, not this roll.
Two stills of the same bay. Flux 3 interpolates pitch to catch. A cinematic hitter is talent you did not cast.
Two stills of the same stack: Flux 3 first-last interpolates 5–20s at 9 credits per second with native audio; a 30s identity hold invents new brick.
When the job is object rotation or a move from A to B, first-last frame is the control. Text-to-video is not.
Extend continues a shot. A new generate resets identity. Use extend when the camera should keep moving on the same plate.
Empty trench to stone is a Flux 3 first-last job at 9 credits on the same yard; a paragraph will not land on the second photo.
Same elevation, before and after: Flux 3 first-last interpolates 5–20s at 9 credits per second; Veo will fake a jacking sequence that is not structural proof.
Flux 3 first-last at 9 credits interpolates the accordion on the same opening; a glass-crew film is a different product than this OEM travel.
Two photos of the same SKU. Interpolate. Do not let the blade count change.
Frame A is the labeled bottle you photographed. Frame B is the plated pour. Interpolate. Do not regenerate the harvest year.
Unsealed to wet sheen is Flux 3 first-last at 9cr on two photos of one patio; a 30s hold invents new pavers.