Vestibular-safe alternatives to whip pans
Replace whip pans and crash zooms with locked-off or eased moves, ship a reduced-motion cut, and keep the original only when a warning is the honest choice.
Replace whip pans and crash zooms with locked-off or eased moves, ship a reduced-motion cut, and keep the original only when a warning is the honest choice.
Contradictions like 'static handheld' make a model keep one instruction, drop the other, or muddle both. The common conflicts and how to collapse each into one.
Shallow and deep focus are executable prompt instructions. A focus pull is not, unless you stage it across two generations. How to specify the focus plane.
Which camera moves survive as text, which get silently approximated, and what a motion-reference clip costs you in framing freedom. With a three-bucket rule.
Two people talking needs four shots, not one. The coverage set, the eyeline rule that makes reverses cut together, and the reference discipline behind both.
A dolly and a zoom both read as getting closer, so models pick at random. How to name the physical mechanism and read the background to check what you got.
24mm, 85mm, macro and anamorphic shift field of view and depth of field, not just mood. Which lens words are load-bearing and which are decoration.
Shadow edge hardness is set by apparent source size, not by adjectives. A size-and-direction vocabulary that outperforms five style words in every prompt.
Multi-shot consistency comes from freezing the prompt skeleton and changing one clause. The template, the fields that must never move, and how people break it.
Leaving camera language out of a video prompt does not give you a static frame. The explicit phrasing and staging that produce a truly motionless camera.
Motion blur names an outcome, not an instruction. Shutter and exposure phrasing for crisp versus smeared movement, and when to add the blur in post instead.
Name a light that exists in the shot and shadows land consistently. Motivated-light phrasing for interiors, night scenes and product work, plus the tells.
Slow dolly is re-estimated on every generation. Parameter-based camera control and endpoint framing are the two ways to lock one move across a whole sequence.
Leading a video prompt with shot size and angle changes the framing you get back. A five-slot shot-card skeleton you can fill for any shot, in order.
Independently generated clips flip screen direction and the cut reads as a jump. How to state the axis in every prompt, and the check to run before assembly.
Opening frames often resolve the still before motion starts, which reads as a lurch. Generate extra length, start already in motion, and trim.
A clip that reads as a photo with drift is an underspecified motion brief. Write one subject action and one camera move, then fix the source frame.
An unblinking subject is the tell that survives every other fix. Schedule eye behaviour in the prompt, or chain short clips at natural blink points.
Some camera directives are real parameters. Others are prose the model approximates and quietly drops. How to tell which is which, and test for it.
Why whip pans and crash zooms break text-to-video prompts, what Wan 2.2 docs reveal about how camera motion is learned, and when to switch to motion transfer.
Hailuo 2.3 three-beat prompts, motion language, Fast vs Standard. Run it on Versely.