Set AD Level Against the Dialogue
AD that ducks the whole mix is unusable; AD under the music is inaudible. Match description to dialogue, keep HI and VI mixes apart, and check on a phone speaker.
AD that ducks the whole mix is unusable; AD under the music is inaudible. Match description to dialogue, keep HI and VI mixes apart, and check on a phone speaker.
A signed one-pager for codec, luma range, loudness, captions, textless and checksum, so the master the client accepts is the file you send.
Generated music parked in 5.1 L/R starves dialogue on stereo TVs. Fold down with center protected and LFE discarded for social and web masters.
Use published integrated, true-peak, and LRA figures per destination, and keep two masters when YouTube, Netflix, BBC, and podcasts disagree.
Laptop speakers lie about bass and sibilance. Spec a small-room chain: monitors or headphones, a measurement mic, 83 dB pink, and a phone-speaker pass.
Social files skip leader. Agency and broadcast still want eight seconds of bars and tone, a 2-pop, and a slate listing job, version, LUFS, and duration.
Catch inter-sample peaks with a true-peak limiter at −1.0 dBTP before AAC, because a brickwall at 0 dBFS still fails QC after the encode.
One organization publishes an exact, measurable loudness standard. Platforms apply their own and don't document it. Knowing which is which changes how you mix.